Newbluefx для sony vegas pro 13 professional#

I remember the older FinalCut versions had absolutely idiotic shortcuts - I think D was mapped to 'Duplicate clip' or something silly.Ĭutting on the Avid is like being married: she grows on you and nothing else feels right.

Placing the playhead where you want it and knowing the equivalents of XCVB and match-frame gets 90% of the job done.

Newbluefx для sony vegas pro 13 professional#

Like most professional editors, I can edit on pretty much any system that you throw at me. I've been editing since the days when tape was pre-striped and when 'hit record' required a mental countdown during pre-roll. But since that other toolkit is undoubtedly deeper and wider than Vegas, why would you bother?ĭespite the “Pro” in Sony Vegas, this toolset seems caught below the threshold of what most professionals now need, and it sells above a price -point where it can compete with amateur/hobbyist products like those reviewed in part two of our series. If you are familiar with another major NLE-and you want to take the time-you can re-map your keyboard to put your most often used commands where your muscle memory believes them to be. Adobe’s Premiere Pro and FCPX (via XML) are surprisingly well supported. Vegas Pro will, however, pick-up projects started in other editors. Sony headed down the path of companion programs-notably Sound Forge, for audio sweetening and sound design-but got lost in the desert. Vegas Pro is bundled with plugs and presets from NewBlueFX. But Sony committed to speaking OpenFX, the protocol running under plug-ins from several market leaders. Native effects and filters in Vegas Pro are limited. Perhaps it'd consider a bundling deal which more appropriately prices Vegas Pro? The company seems to have retreated to its consumer 3D Handycam. This may be the last, best hope for this package: Sony introduced-then discontinued-its professional 3D XDCAM (TD300) 3D video camera. The good news is Vegas Pro hosts most of these with ease on its ecumenical timeline.Īnd Vegas edits 3D stereo with easy auto-pairing in the timeline. But even small projects these days seem to attract a swarm of media formats from a candy store of cameras: REDs, GoPros, DSLRs, mirror-less minis, smarter phones, digital cinema cams.